Regarding the differences between working in paint and working in embroidery to me it is easy to suggest that this gigantic quilt not only draws on traditional American folk arts of quilting but in its tactile, homely nature provokes a stronger response from the viewer. The symbolic nature of a quilt is that of a blanket, one which offers comfort. This community act helps to draw millions of people together over one significant issue of AIDS and the LGBT’s community.
I have sadly neglected my blog of late – we have been so busy with all our animals here at Casa Davies , and I have had to concentrate on quilting in my spare time..which got me thinking..does anyone else have huge problems fitting all their blocks together for the final quilt?
I sometimes see a great pattern and just cant decide about the colour combinations or where and how to place blocks on the quilt. or I think I can improve on it (!) For example I decided to make a small quilt, similar to the one I had seen in Alex Andersons book on wallquilts. So I lay all the blocks out on the floor and decided to play with them..So it sat on the floor for 3 days while I played about with what i thought was my new design and nothing was working..Big frustration! In the end I went back to the original pattern which had broken up the blocks using two horizontal lines between the top and middle blocks- the spacing really helped to creat a bit of visual tension (along with my own for being so darned stubborn in the first place)
it sure looks pretty different from how I started!! What do you think?
February 28, 2013
The 2013 Tokyo Quilt Festival was held recently in Japan. This slideshow features the work of Tomie Nagano from the photos of Luana Rubin. More photos to come from this fabulous show. The Smilebox slide show is presented by The Quilt Show. This event is the largest quilt festival in the world.
Well no ..not real ones just on my quilt!!
I was online at one of my favourite places to buy fabric online www.fabricshack.com
Well I was looking through all the fabrics for a childs quilt- even though mine have flown the nest and no grandchildren on the ground yet! I found this amazing funky fabric by Valori Wells there and I just had to buy it, but how to make a quilt out of very large animals??
I didnt even know what I was going to do but just loved these elephants..so my first design was born. That was such fun and many scribbles and overwrites. I thought if I cut out the Elephants using Bondaweb and appliqued them onto blocks along with star blocks it might work.
So I found some similar fabrics on the floor behind everything else and was thinking- the elephants are pretty, I thought the stars would need something extra, so I tried a few embroidery patterns that might fit within the block on my embroidery machine.
I had an idea to blend machine embroidery with the blocks so this is what I came up with……….
So this is what I came up for the free motion design on the star block……..
I found some matching Minky fabric for the back and completed all the blocks. The Minky fabric is gorgeously soft but I had used it before so didnt want to do anything to complex in the way of free motion quilting. it is a bit heavy for me to drag around on the machine but makes beautiful sculptural designs.
And this is it finished , my Funky Fanta Elephant Quilt …..
I was so glad to get this finished, and folded up…no grandchildren to give it to yet though!! I am trying to find time to get on with my next project now although DH has promised me a revamp of my sewing room next week or so- its our spare bedrooma t the moment and I am working round a double bed and all the extras..have been promised a wooden floor and a sofa bed..Whoohoo!!!
Well firstly I had every intention of keeping up with my blog here but everything seemed to happen at once at the tail end
of last year. I had an exhibition of my digital work based on the female figure in Wexford, and it took up quite a bit of time..
The exhibition went quite well and Tony and Trish Robinson of the Pigyard gallery in Wexford hosted the exhibition for me during the Opera Festival. You can see the rest of my artwork on my site www.irishdigitalart.com
During the exhibition I had a special visitor in the form of Jimmy Deenihan, our Minister for the Arts who had come down to close the Opera Festival here in Wexford, and he came to the gallery to look at my work, which was a great thrill for me personally. Bryan was delighted to meet the famous former Kerry football captain who had held the Sam Maguire on a good few occasions over the years!
I have to say that after all the organising and everything else I was totally shattered, as fellow Lymies know that have this disease, it really takes its toll after overdoing things. I think it took me about a month to get over things!! And then I had to finish submitting all the paperwork for the Arts Council Grant which funded the exhibition. I am not complaining though because without the Arts and Disability Ireland Award funding wouldn’t have been able to undertake the years work and it was very interesting but hard work.
So..onto matters sewing!! Christmas was looming large by this stage so I decided that i would make presents for family and friends instead of bought items. I found the most amazing site for embroidery patterns and projects..http://www.emblibrary.com
Anyway that kept me busy up until Christmas..the little lacy wallhanging was so cute,I
honestly never thought I would be able to make anything as nacky as this but it was in
mblibrary’s projects using one of their patterns and it really looked so pretty. Mind
you no-one sees the back do they!!
So Christmas was done and dusted and I was looking forward to 2013 and getting back to my quilt projects when hubby Bryan came down with a serious chest infection, and so did I, after him, although he was worse affected.It has kept both of us out of action for a month which was worrying to say the least…..
So finally February has arrived and I am at last back in my sewing room.. Project number one finally completed..I am going to do a separate post about that one! So thanks everyone for sticking with me and hope to be talking to you all soon.
It’s funny, but when, I started to think about writing a blog..all of this technology was new to me, so I figured I would be writing quite a bit about my quilting projects as a newbie to quilting and sewing. Of course I am going to do this as well, and decided to document some of my disasters as well with my new friend the stitch ripper!
However, I have been on one of the sewing machine forums for the Janome 7700- a machine I bought last year and absolutely love. Anyway the consensus is that now, Janome are to bring out an upgrade for the 7700 with all new bells and whistles. I don’t have much detail on it yet, I think its in the ‘to be announced’ category for the Autumn/Fall.
Well this got me to thinking about all the technological advances in sewing machines and I am wondering what you all thought of the leaps there have been in technology for machines. The first machine I remember is my grandmothers Singer Treadle machine which I grew up with in the 50′s and 60′s. They are now called Antique! Anyway picture on the right is what I remember. My gran could make anything from curtains to quilts on it and all the clothes in between . I would often remember seeing her sit for hours making things, hearing the whirr of the treadle as she pushed it to its limits. She could make it hum! And wherever we lived, it came with her, it was her most prized possession and always occupied a seat of honour in our house.
I can remember when the first electric machines became mainstream into stores in England too..this picture holds quite a lot of memories for me as when i was 19 I got a job working for Jones in London, demonstrating their machines. It was crazy-I had left school, working my way towards college, and I literally walked in off the street with no prior experience of selling anything, and a very rudimentary knowledge of sewing. Certainly never seen an electric machine in my life. So I started demonstrating machines like the one in the picture..and they were cutting edge (pardon the pun) at the time. The machines were very brightly coloured, especially the hard carrying case of the Jones, Britain was just coming out of post-war austerity, everything before the mid sixties almost looked grey as far as I can remember it anyway, and then there were these huge splashes of colours in everything. Not just clothes and decor but in products as well. Design was becoming not just functional but appealing to the eye as well.
Jones was an interesting company to work for..originally british, were bought out by Brother in the late 60′s I think, but as there was quite a lot of negative press regarding Japanese made goods at the time, they kept the British name for a couple of years.So I started work in London. Hire Purchase was also a new construct then as well, but if ladies wanted a machine, they had to bring their husbands into the store to sign the loan agreement. Can you imagine that happening now??
Customer service was also good too – I remember selling a machine to a couple who were staying in London for a few days and the company made me take the machine to their hotel in Kensington, I had to travel on the underground with the machine and all the other bits, to their hotel after I had finished work and set it up for them and show them how it worked.They were so pleased, I even got tea and cake from them in the hotel!
So now I have to roll forward to 2011!! It’s been that long since I used a machine! I decided to buy one last year and the first one I bought for just basic stitching was the Janome CXL 301- which is this fellow on the right. I nearly had a heart attack when I saw it. The only thing I recognised was the foot pedal!! I didn’t know how to thread it or use the controls, it seemed more like using a computer accessory with all the buttons. But I loved it. The manual was Ok and I managed to work it out eventually. I even made my first quilt on it using Alex Andersons quilt book for beginners. I wasn’t easy, just a rail fence design but I was so pleased to complete it.
So now I am fast forwarding 3 months from my original purchase. Hubby decided I should have a really neat Birthday/Christmas present and I phoned my dealer up to ask about quilting machines…more bells and whistles! So it was a choice between the 6600 and the 7700. I picked the latter because of the wider throat plate and when i tried them both out I just fell in love with it somehow. Of course she is not an ‘it’ anymore. My dealer was great and I had to put in my beloved 301 as a trade in and he gave me the purchase price of her off the 7700, which was great. This is one amazing machine. I found she quilts superbly,makes my free motion quilting look far better.
There are a couple of things I don’t care for but that could be just a personal preference. I don’t like the fact there is no low bobbin reminder, which would be a really good idea, there is no built-in or optional magnifier ( I hear the new Janome will have this). But have to say, that for increasing and decreasing stitch length, I find the touch screen not at all intuitive, I would prefer a wheel or button! What does that say about me I wonder, is that just an age thing or do other folk with this machine find it hard as well. Do you get used to the touch screen eventually?
I love the automatic thread cutter button, the lights, the zillion stitches that I havent even got to grips with yet. Oh yes and all the feet that come with it as standard.The power and graduation of speed is flawless as well all the other things.Regular home maintenance seems to be key here also, I really have to clean out the are around the bobbin regularly. I have got to listen to the sound of my machine now and when she starts to sound a bit ‘throaty’ I know its time to clean, if I haven’t done so before.
It seems to me that technology have really taken over in every area of life, even our machines.I often wonder what our grandmother’s would have thought of the new machines like the Janome 7700. Not just an electric machine ,but stitches that are fully programmable and automated at the press of a button. I know we have machines nowadays that do so much more than plain straight stitch but what do you think about the way technology is adding to the functionality of sewing machines? How far can manufacturers refine our machines to make them better. Will they be lighter machines in the future that can do so many things, rather like computers now that are lighter and smaller and have limitless capabilities. I for one will be very interested to see the new Janome this Autumn and what is being offered in way of improvements, functionality and design. They are amazing machines!
Phew!! I didnt expect to write as much as that!!
I was surfing the web like you do, and came across a link to my old college at Woverhampton where I studied Sculpture back in the 80′s. One of my old tutors on there was a wonderful stone carver, John (Paddy) Paddison, who studied under John Skeaping.( Barbara Hepworth’s first husband, Skeaping was a gifted horseman and taught Sculpture at the RCA. he eventually retired at the age of 80 to the Camargue where he rode and broke in cattle!)
The reason I think of Paddy when there is always a debate about the craft or Fine Art forms of Painting/Sculpture versus ‘Conceptualised’ art form , is that at college he was very much seen as the old guard of the art school. Tutors then were very much promoting the ethos of concept art.Ideas were more important than learning the craft of painting or sculpture. I think their thinking was that if you could produce ideas, there were always technicians available to create your work, without the student learning techniques to a high standard, perhaps when time was at a premium, I don’t know.. It’s always been a contentious issue of debate, I have always thought that it is important to have the two forms of craft and art being side by side. What do you all think?
Anyway, back to Paddy. He had his stone carving area in the yard downstairs in the Molyneux, in the plein air style..and my first year I opted for a module in stone carving..the only time this module was available was in February, in the freezing cold and open to the elements. I think Paddy thought that if we were keen then we would man up and keep carving through hail, rain and snow..which of course we did. He was a great teacher, always there to give a suggestion just when you needed it, and encouragement. I brought my greyhound in one day and he spent ages just looking at her and describing her lines and athletic build. It wasnt until later that I had the opportunity to see his wonderful work.
I suppose the question I am asking is, where does art begin and craft stop..and what is the nature of craft? To my mind, someone like Paddy had both in equal measure. he had superb ability in making and fabricating techniques, which were acquired over a period of 40 years plus. he also had vision, and original ideas, and managed to use his material, in his case, stone to mould his ideas into a physical entity.
Working with textiles is very similar it seems to me. There has to be an understanding of, and practical application of, techniques, a sympathy towards the materials we work with, and originality of thought in designing and creating pieces.
It’s so hard to master..I find just as I think I am getting the hang of Free Motion Quilting on the Janome, but so often, it seems to slip away and I am using the stitch ripper again – or my points dont measure up or basically I am having a really bad hair day regarding design and how things fit together. I know it all takes time and loads of practice, so hopefully, one day the lightbulb will go on! As I have started to get more involved with quilting, I am finding there is so much variety out there in the way people make and design quilts, from very traditional bed quilts to wonderful art forms that are exhibited internationally. But all of them have that magic symbiosis of craft and art working together.